St. Michael Catholic Church

The St. Charles Singers’ season finale concerts April 20-21, 2024, will mark the start of the internationally recognized chamber choir’s 40th
anniversary celebration with a program featuring songs about nature, especially flowers, and romantic love.
“We’ll be presenting a heartfelt musical bouquet to our audiences,” says Jeffrey Hunt, the choir’s founder and artistic director.
As a nod to the past, the choir will offer works they’ve cherished over the years, including folk songs from the English choral tradition. Looking to the future, they’ll introduce pieces they’ve never performed before.
Titled “Past As Prologue: Voices in Bloom,” the concerts are scheduled for 7:30 p.m. Saturday, April 20, at St. Michael Catholic Church, 310 S. Wheaton Avenue, Wheaton, Illinois; and 3 p.m. Sunday, April 21, at Baker Memorial United Methodist Church, 307 Cedar Avenue, St. Charles.
An hour before each concert, Marcus Jansen, who sings in the choir’s tenor section, will give a 30-minute talk about flowers mentioned in the songs and their past and present uses in gardening and landscaping. Jansen holds bachelor’s and master’s degrees in horticulture from Iowa State University and is a product development manager for PanAmerican Seed, West Chicago.
Flower Power
Flowers are a centerpiece of the spring concerts. The choir will perform 20th-century English composer Benjamin Britten’s “Five Flower Songs,” his bright, joyful, and musically varied settings of poems from past eras: “To Daffodils,” “The Succession of the Four Sweet Months,” “Marsh Flowers,” “The Evening Primrose,” and “Ballad of the Green Broom.”
“These are beautifully crafted works, each with its own musical identity,” Hunt says.
In “Four Sweet Months,” the soprano voices represent April, the altos May, the tenors June, and the basses July. In “The Evening Primrose,” Britten paints a sonic nightscape where the primrose blossoms in the dark and retreats at the first rays of daylight.
Bushes and Briars
The mixed-voice choir will reprise six songs from their critically acclaimed album, “Bushes &amp; Briars: Folk-Songs for Choirs Books 1 &amp; 2,” named for the collection of traditional British folk tunes edited by renowned English composer and choirmaster John Rutter. Rutter has spoken glowingly of the St. Charles Singers and has conducted them on multiple occasions over the decades.
Songs include Rutter’s arrangements of “O Waly, Waly” (Wail,Wail) and “Dashing Away with the Smoothing Iron”; “The Oak and the Ash,” arranged by Edward Barstow; “Early One Morning,” arranged by David Willcocks; “the Turtle Dove,” by Ralph Vaughan Williams; and Gustav Holst’s arrangement of “I Love My Love.”
“The texts and emotions woven into these songs are timeless,” Hunt says. “I believe in the power of this music, which is still able to make us laugh and cry, think and wonder.”
New Choral Arrangements
Receiving their premieres are Hunt’s own choral arrangements of five songs from American composer Alec Wilder’s beloved children’s bedtime collection, “Lullabies and Night Songs,” originally written for voice and piano. Hunt has arranged “Star Wish,” “Many Million Years Ago,” “Seal Lullaby,” “Douglas Mountain,” and “Fiddle dee dee.”
Also new to the choir’s repertoire is Morten Lauridsen’s lush setting of James Agee’s poem, “Sure on This Shining Night,” which evokes the beauty and wonder of finding kindness in the bleakest times.
New, too, is Eric Whitacre’s “Sing Gently,” a simple four-part song for which he wrote both the words and music. Its message, he says, is “that we sing gently as one. That we be together. That we are kind and delicate with each other.” Written in the pandemic year of 2020, Whitacre premiered it over YouTube with a “virtual choir” of more than 17,000 different singers from 129 countries.
Rounding out the program is an early St. Charles Singers commission: Charles Forsberg’s “In Christopher’s Time: Jazz Suite for Choir in Five Movements,” inspired by the Christopher Robin character in A. A. Milne’s book “Winnie-the-Pooh.” Written for the St. Charles Singers in 1988, it was last performed by the choir in 1991, with Rutter as guest conductor.
Tickets and Information
Tickets for “Past As Prologue” are $45 for adults, $40 for seniors, and $12 for students. Tickets and information are available at <a href="https://stcharlessingers.com/tickets/" rel="nofollow" target="_blank">stcharlessingers.com </a>or by calling 630-513-5272. Tickets are also available at Townhouse Books, 105 N. Second Ave., St. Charles (checks or cash only at this ticket venue). Tickets may also be purchased at the door on the day of the concert, depending on availability.

Local Event: ‘Past As Prologue: Voices in Bloom’ 

Wheaton

Illinois

‘Past As Prologue: Voices in Bloom’ 

Saturday April 20, 2024: The St. Charles Singers’ season finale concerts April 20-21, 2024, will mark the start of the internationally...

Baker Memorial United Methodist Church

The St. Charles Singers’ season finale concerts April 20-21, 2024, will mark the start of the internationally recognized chamber choir’s 40th
anniversary celebration with a program featuring songs about nature, especially flowers, and romantic love.
“We’ll be presenting a heartfelt musical bouquet to our audiences,” says Jeffrey Hunt, the choir’s founder and artistic director.
As a nod to the past, the choir will offer works they’ve cherished over the years, including folk songs from the English choral tradition. Looking to the future, they’ll introduce pieces they’ve never performed before.
Titled “Past As Prologue: Voices in Bloom,” the concerts are scheduled for 7:30 p.m. Saturday, April 20, at St. Michael Catholic Church, 310 S. Wheaton Avenue, Wheaton, Illinois; and 3 p.m. Sunday, April 21, at Baker Memorial United Methodist Church, 307 Cedar Avenue, St. Charles.
An hour before each concert, Marcus Jansen, who sings in the choir’s tenor section, will give a 30-minute talk about flowers mentioned in the songs and their past and present uses in gardening and landscaping. Jansen holds bachelor’s and master’s degrees in horticulture from Iowa State University and is a product development manager for PanAmerican Seed, West Chicago.
Flower Power
Flowers are a centerpiece of the spring concerts. The choir will perform 20th-century English composer Benjamin Britten’s “Five Flower Songs,” his bright, joyful, and musically varied settings of poems from past eras: “To Daffodils,” “The Succession of the Four Sweet Months,” “Marsh Flowers,” “The Evening Primrose,” and “Ballad of the Green Broom.”
“These are beautifully crafted works, each with its own musical identity,” Hunt says.
In “Four Sweet Months,” the soprano voices represent April, the altos May, the tenors June, and the basses July. In “The Evening Primrose,” Britten paints a sonic nightscape where the primrose blossoms in the dark and retreats at the first rays of daylight.
Bushes and Briars
The mixed-voice choir will reprise six songs from their critically acclaimed album, “Bushes &amp; Briars: Folk-Songs for Choirs Books 1 &amp; 2,” named for the collection of traditional British folk tunes edited by renowned English composer and choirmaster John Rutter. Rutter has spoken glowingly of the St. Charles Singers and has conducted them on multiple occasions over the decades.
Songs include Rutter’s arrangements of “O Waly, Waly” (Wail,Wail) and “Dashing Away with the Smoothing Iron”; “The Oak and the Ash,” arranged by Edward Barstow; “Early One Morning,” arranged by David Willcocks; “the Turtle Dove,” by Ralph Vaughan Williams; and Gustav Holst’s arrangement of “I Love My Love.”
“The texts and emotions woven into these songs are timeless,” Hunt says. “I believe in the power of this music, which is still able to make us laugh and cry, think and wonder.”
New Choral Arrangements
Receiving their premieres are Hunt’s own choral arrangements of five songs from American composer Alec Wilder’s beloved children’s bedtime collection, “Lullabies and Night Songs,” originally written for voice and piano. Hunt has arranged “Star Wish,” “Many Million Years Ago,” “Seal Lullaby,” “Douglas Mountain,” and “Fiddle dee dee.”
Also new to the choir’s repertoire is Morten Lauridsen’s lush setting of James Agee’s poem, “Sure on This Shining Night,” which evokes the beauty and wonder of finding kindness in the bleakest times.
New, too, is Eric Whitacre’s “Sing Gently,” a simple four-part song for which he wrote both the words and music. Its message, he says, is “that we sing gently as one. That we be together. That we are kind and delicate with each other.” Written in the pandemic year of 2020, Whitacre premiered it over YouTube with a “virtual choir” of more than 17,000 different singers from 129 countries.
Rounding out the program is an early St. Charles Singers commission: Charles Forsberg’s “In Christopher’s Time: Jazz Suite for Choir in Five Movements,” inspired by the Christopher Robin character in A. A. Milne’s book “Winnie-the-Pooh.” Written for the St. Charles Singers in 1988, it was last performed by the choir in 1991, with Rutter as guest conductor.
Tickets and Information
Tickets for “Past As Prologue” are $45 for adults, $40 for seniors, and $12 for students. Tickets and information are available at <a href="https://stcharlessingers.com/tickets/" rel="nofollow" target="_blank">stcharlessingers.com</a> or by calling 630-513-5272. Tickets are also available at Townhouse Books, 105 N. Second Ave., St. Charles (checks or cash only at this ticket venue). Tickets may also be purchased at the door on the day of the concert, depending on availability.

St. Charles

Sunday April 21, 2024: The St. Charles Singers’ season finale concerts April 20-21, 2024, will mark the start of the internationally...

Nichols Concert Hall

Sergei Babayan, the celebrated Armenian American pianist praised by The New York Times for his “consummate technique and insight,” will open the Bach Week's Festival's 50th
anniversary edition and farewell season with the world premiere of an inventive new recital program 7:30 p.m. Friday, April 26, at Nichols Concert Hall in Evanston.
The core program, which Babayan will perform in England and Germany later this year, comprises nearly 30 pieces spanning from the late Classical and Romantic periods to the late 20th century, many transcribed for piano, and representing 17 composers hailing from his native Armenia, Austria, France, Germany, Hungary, Russia, Spain, and the United States.
Babayan’s Bach Week performance features a special twist: As a golden anniversary tribute to the festival, he’ll bookend the program with music of J. S. Bach.
He’ll open the recital with Bach’s Prelude and Fugue in C Major, BWV 846; in C Minor, BWV 847; in C-sharp Major, BWV 848; and in C-sharp Minor, BWV 849. He’ll close with the "Aria" from Bach’s Goldberg Variations, BWV 988.
In between, concertgoers will hear Franz Schubert’s "Aufenthalt," S. 560, No. 3; "Auf dem Wasser zu singen," S. 558 No. 2; “Die Stadt," S. 558 No. 11; "Gretchen am Spinnrade," S. 558 No. 8; "Ständchen von Shakespeare," S. 558, No. 8; and "Erlkönig," S. 558, No. 4; Robert Schumann’s "Liebeslied" (“Widmung”), S. 566; Franz Liszt’s "Hymne de la nuit" S. 173a/1, and "Romance" in E Minor S. 169, “O pourquoi donc”; Sergei Rachmaninoff’s "Where beauty dwells" and “Melody” from Twelve Songs, Op. 21, and "Dream" from Six Songs, Op. 38; and Fritz Kreisler’s "Liebesleid.”
Following an intermission, Babayan will play Frederic Mompou’s “Canción” Nos. 6, 7, and 8 from “Cançons i Danses”; Komitas’s "Chinar es”; Harold Arlen’s "Over the Rainbow"; Leonid Desyatnikov’s "Red arrowwood, green leaves" from "Songs of Bukovina"; Jesús Guridi‘s "La carrasquilla" from "Danzas viejas"; Paul Hindemith’s "Einleitung und Lied" from “Klaviermusik,” Op. 37, Pt. 2, "Reihe kleiner Stücke"; Komitas’s "Berceuse" and "Semplice" from "Seven Songs"; Georges Bizet’s "L'aurore" from "Chants du Rhin"; and Stephen Reynolds’ "Chanson d'automne" from "Two Poems in Homage to Fauré.”
Also: Francis Poulenc’s Improvisation No. 15 in C Minor ("Hommage à Edith Piaf"), FP 176; Gabriel Fauré’s "Au bord de l'eau", Op. 8, No. 1; Poulenc’s "Les chemins de l'amour"; Charles Trenet’s "En avril à Paris”; and George Gershwin’s "Oh lady, be good!"
Single tickets are $50 for VIP seating. General admission is $35 for adults, $25 seniors, and $15 students with ID. 


Tickets and information are available at <a href="https://bachweek.org/2024-festival" rel="nofollow" target="_blank">https://bachweek.org/2024-festival</a>, by phone 847-269-9050, and by emailing the festival at info@bachweek.org. Mail orders can be sent to Bach Week Festival, 1555 Sherman Avenue, Suite 312, Evanston, Illinois 60201
Babayan’s recital is sponsored by the Howard S. Dubin Family Foundation.

Local Event: Bach Week Festival: Sergei Babayan in Recital

Evanston

Bach Week Festival: Sergei Babayan in Recital

Friday April 26, 2024: Sergei Babayan, the celebrated Armenian American pianist praised by The New York Times for his “consummate technique...

Concertgoers can experience a program of “Italian Delights” along with complimentary champagne and fine chocolates when local luminaries, Dutch soprano Josefien Stoppelenburg and harpsichordist Stephen Alltop, headline the Bach Week Festival's Candlelight Concert at 10 p.m. on Friday, April 26, in the lobby of Nichols Concert Hall.
The artists have assembled a 45-minute program, expressly for Bach Week, spotlighting Italian vocal styles from the 17th and 18th centuries.
They’ll perform George Frideric Handel’s “Se pieta” from his opera “Giulio Cesare” in G minor, HWV 432; Isabella Leonarda’s “Surge ó faelix anima”; Claudio Monteverdi’s “Exulta Filia Sion;” and Antonio Vivaldi’s “In furore iustissimae irae,” RV 636.
Alltop says “the melancholy mood of Handel’s gorgeous aria contrasts with the notable agility of the Monteverdi.”
Leonarda’s piece exemplifies the high quality of sacred music written by Italian nuns in the early Baroque period.
Vivaldi’s cantata “is full of the vocal fireworks that are a specialty for Josefien,” Alltop says. All tickets for the April 26 “Candlelight Concert” in the Nichols Hall lobby are $25.
Tickets and information are available at <a href="https://bachweek.org/2024-festival" rel="nofollow" target="_blank">https://bachweek.org/2024-festival</a>, by phone 847-269-9050, and by emailing the festival at info@bachweek.org. Mail orders can be sent to Bach Week Festival, 1555 Sherman Avenue, Suite 312, Evanston, Illinois 60201.

Local Event: Bach Week Festival Candlelight Concert: "Italian Delights"

Bach Week Festival Candlelight Concert:...

Friday April 26, 2024: Concertgoers can experience a program of “Italian Delights” along with complimentary champagne and fine chocolates...

Bach Week Festival Candlelight Concert: "Italian Delights"

All Saints Episcopal Church

A group of friends who happen to be among Chicago’s — and the nation’s — finest period-instrument musicians will play works by Baroque composers connected by mutual admiration and friendship at a free chamber concert titled “Music Among Friends” at 3 p.m. Sunday, April 28, at All Saints’ Episcopal Church, 4550 N. Hermitage Avenue, Chicago. Admission is free, but seating is limited.
The ensemble, organized by Bach Week principal harpsichordist and organist Jason J. Moy, consists of soprano Hannah De Priest, Baroque violinist Shelby Yamin, Baroque cellist Ana Kim, and Moy on harpsichord. 
The program, curated by Moy, comprises Antonio Vivaldi’s cantata “Lungi dal vago volto,” RV 680; J. S. Bach’s Sonata No. 1 in B minor for Violin and Harpsichord, BWV 1014; Georg Philipp Telemann’s Trio Sonata in F major for Violin, Cello, and Continuo, TWV 42:F1; Johann Georg Pisendel’s Sonata in D Major for Violin and Continuo; and two songs from George Frideric Handel’s “Neun Deutsche Arien”: “Süsse Stille, sanfte Quelle,” HWV 205, and “Singe Seele, Gott zum Preise,” HWV 206.
Bach and Telemann were close friends and colleagues, as were Telemann and Handel. Pisendel was a violin superstar of his day. Telemann and Vivaldi knew Pisendel and dedicated works to him. Bach also admired Pisendel and may have written his Violin Sonatas for him, Moy says.
Moy says Vivaldi’s “colorful and dramatic cantata” for solo violin, soprano, and continuo (cello and harpsichord) underscores connections between Vivaldi, Pisendel, and Bach and showcases soprano De Priest’s “considerable talents and vocal pyrotechnics.”
De Priest’s recent opera credits include her Kennedy Center debut, European debut at the Innsbruck Early Music Festival, and multiple productions with the Boston Early Music Festival, Chicago’s Haymarket Opera Company, and Cleveland early-music ensemble Les Délices.
Yamin has made solo appearances with Voices of Music, Philharmonia Baroque Chamber Players, and New York Baroque Incorporated. Winner of the Juilliard School’s Historical Performance Concerto Competition, she is currently artist-in-residence at the Church of St. John the Evangelist in San Francisco. Yasmin, who is based in New York, will travel to Chicago for the Bach Week concert. 
Kim, who performs on period and modern instruments, is assistant principal cellist of the Lyric Opera Orchestra of Chicago and has played with San Francisco’s Philharmonia Baroque, and New York’s Teatro Nuovo and Trinity Baroque Orchestra.
Moy is artistic director of early music ensemble Ars Musica Chicago, serves as artist-faculty at Roosevelt University’s Chicago College of Performing Arts, and is the inaugural recipient of the Monsignor Kenneth J. Velo Endowed Distinguished Professorship at DePaul University School of Music.
The period-instrument concert is part of the Bach Week Festival's 50th anniversary and farewell season. For Information about the complete 2024 festival, visit <a href="https://bachweek.org/2024-festival" rel="nofollow" target="_blank">https://bachweek.org/2024-festival</a>, call 847-269-9050, or email info@bachweek.org.
The free chamber concert is funded through a generous donation from Margaret and Bob McCamant.

Local Event: Music Among Friends

Chicago

Music Among Friends

Sunday April 28, 2024: A group of friends who happen to be among Chicago’s — and the nation’s — finest period-instrument musicians will play...

St. Luke's Episcopal Church

The Bach Week Festival will conclude its 50th
anniversary and farewell season with a performance of J. S. Bach’s Mass in B Minor, BWV 232, at 4 p.m. on Sunday, May 5, at St. Luke’s Episcopal Church, 939 Hinman Avenue, Evanston.
Bach’s B-Minor Mass has been hailed as a cathedral of sound, a myriad of musical miracles, and a crowning achievement of Western music.
The Mass was never intended as part of a worship service; it’s too lengthy for that purpose. Rather, it’s a treasury of many of Bach’s greatest musical ideas.
Soloists will be Josefien Stoppelenburg, soprano; Lindsay Metzger, soprano; Susan Platts, contralto; Tyler Lee, tenor; and David Govertsen, bass. Richard Webster conducts the North Park University Chamber Singers and Bach Week Festival Orchestra and Chorus.
Stoppelenburg has performed throughout the US, Europe, Asia, and South America as a Baroque music and oratorio specialist and as a concert singer. The Dutch soprano’s engagements include, among many others, performances in Houston with Harmonia Stellarum and Ars Lyrica, at the Boston Early Music Festival with the Newberry Consort, and at the Arizona Bach Festival, Indianapolis Early Music Festival, and the St. Louis Bach Festival.
Metzger has been lauded for “her easy stage manner and refined voice” (Chicago Classical Review) and “luxuriously toned mezzo” (Opera News). A graduate of the Lyric Opera of Chicago’s Ryan Opera Center, she has sung with Chicago’s Haymarket Opera, Austin Opera, Dallas Opera, and other organizations.
A British-born Canadian mezzo-soprano, Platts’ recent opera highlights include “Die Walküre” with the London Philharmonic Orchestra, Mozart's Die Zauberflöte at the Royal Opera House, John Adams' “Nixon in China” with the BBC Symphony, as well as Britten's “Albert Herring” (Pacific Opera, Vancouver Opera), Erda in Wagner’s “Das Rheingold “(Pacific Opera), and Bernstein’s “A Quiet Place” (Montreal Symphony Orchestra). 
Lee has soloed with the Baltimore Symphony Orchestra under conductor Marin Alsop and sung with Pittsburgh Opera Theater. In 2018, he became the youngest full-time regular chorister with the Lyric Opera of Chicago Chorus.
Govertsen appeared in the role of producer La Roche opposite Renée Fleming and Anne Sophie von Otter in Richard Strauss’s "Capriccio” at the Lyric Opera. He appeared as Arkel in Claude Debussy’s “Pelléas et Mélisande” with the Chicago Symphony under Esa-Pekka Salonen and as a soloist in James MacMillan's “Quickening” with the Grant Park Orchestra.
Single tickets are $50 for VIP seating. General admission is $35 for adults, $25 seniors, and $15 students with ID. 
Tickets and information are available at <a href="https://bachweek.org/2024-festival" rel="nofollow" target="_blank">https://bachweek.org/2024-festival</a>, by phone 847-269-9050, and by emailing the festival at info@bachweek.org. Mail orders can be sent to Bach Week Festival, 1555 Sherman Avenue, Suite 312, Evanston, Illinois 60201. 
The performance is dedicated to the memory of longtime Evanston resident Mary Mumbrue, an avid supporter of Bach Week from its inception in 1974, when she sang in the choir, until her death last November while serving as co-chair of the festival board.

Local Event: Bach Week Festival: J. S. Bach's Mass in B Minor

Bach Week Festival: J. S. Bach's Mass in B Minor

Sunday May 5, 2024: The Bach Week Festival will conclude its 50th
anniversary and farewell season with a performance of J. S. Bach’s Mass...

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WILL COUNTY SHERIFF&rsquo;S MERIT COMMISSION IS NOW ACCEPTING APPLICATIONS FOR DEPUTY SHERIFF
WRITTEN TEST DATE (ELECTRONICALLY FROM YOUR LOCATION): May 13, 2024 to May 17, 2024
 DEADLINE TO APPLY: May 8, 2024 
Starting salary: $69,541 with benefits and uniforms
Applications must be downloaded from the Sheriff&rsquo;s website at: <a href="http://www.willcosheriff.org" rel="nofollow" target="_blank">www.willcosheriff.org</a>. 
Applications must have official sealed college transcripts or be sent electronically directly from the college or Military DD214/DD215 AND the non-refundable processing fee attached. Mail or hand deliver the application and requirements to the Will County Merit Commission office at the address listed on the application before the deadline. *There is a drop box at the front of the building available 24/7.
All applicants will be notified by e-mail with the test details after their application has been reviewed and accepted. 
The Will County Sheriff&rsquo;s Department is an equal opportunity employer.

Frankfort

WCSP Deputy Test Scheduled

WILL COUNTY SHERIFF’S MERIT COMMISSION IS NOW ACCEPTING APPLICATIONS FOR DEPUTY SHERIFF...

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‘Past As Prologue: Voices in Bloom’

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